OP – The Blog

December 19th, 2012

10 Simple Steps to Mastering Composition

Posted By Ian Plant

(© Ian Plant) In my new ebook Visual Flow: Mastering the Art of Composition, I discuss a number of compositional tools and techniques which have been used by the masters of painting and photography for centuries. The book is very comprehensive, so for this article I’ve tried to distill the concepts discussed in the book to a more easily digestible level. Here’s what I consider to be the top ten techniques for mastering the art of composition.

1. Learn to think in the abstract

Famous photographer Minor White once said “One should photograph objects, not only for what they are, but for what else they are.” What he meant by this is that a photographer should learn to think abstractly about composition. Try not to think literally about objects in your scene—don’t think of them as waterfalls, mountains, trees, etc.—but rather think in terms of the shapes they form, perspective (depth and scale), space (the placement and arrangement of elements), and color. This process is an important first step: once you start seeing elements of a scene in abstract terms, then you’re ready to start tackling advanced compositional techniques.

"Light From Above" by Ian Plant

2. Get your feet moving

Ansel Adams once said “A good photograph is knowing where to stand.” Thoroughly exploring a scene is the best way to ensure that you find something compelling and original. A little bit of curiosity goes a long way—if you aren’t asking yourself questions like “What would the view look like from that small hill over there?” then you are limiting yourself to only the most obvious shots. If you want to make unique and meaningful compositions, you need to get your feet moving, and experiment with different angles, focal lengths, and relative positions. Only then can you really see what the world has to offer.

"Los Cuernos" by Ian Plant

3. Use “power shapes” to create bold compositions

Simple shapes such as triangles, circles, radial patterns, curves, lines, and zigzags attract the eye, lending themselves to simple yet bold compositions. Sometimes the shape can be the basis for the composition itself, whereas other times it can merely be the background structure for a more complex composition.

"Shadows and Sand" by Ian Plant

4. Create depth in your photos

Manipulation of the relative size of objects can help you create depth in your photographs and lead the viewer’s eye into the scene. One powerful technique that does this is called forced perspective, which employs optical illusion to make an object appear more prominent than it actually is. This is usually accomplished by getting close to a near object with a wide-angle lens, thus exaggerating its size and visual importance relative to more distant objects. Forced perspective can become a powerful tool used to create dynamic visual relationships between near and far objects.

"Kaleidoscope" by Ian Plant

5. Direct the viewer’s attention

Leading elements are useful for compelling the viewer’s eye into the photo. Leading lines which stretch from foreground to background are especially powerful. Other shapes placed in the foreground can accomplish the same thing; a curving river can encourage the eye to meander throughout the scene, whereas a triangle-shaped rock can point into the composition. Multiple visual elements, arranged properly, can encourage the viewer’s eye to travel deep into the scene; a near-to-far, bottom-to-top visual progression is often particularly effective.

"Into the West Away" by Ian Plant

6. Visual repetition attracts the eye

People are naturally attracted to patterns. Use repeating shapes and colors to get the viewer to visit multiple parts of the composition.

"Reaching for Light" by Ian Plant

7. Use space as a compositional element

Don’t just rely on objects when creating compositions. Empty (or negative) space can be used as well. For example, empty space on one side of a composition can balance against objects placed on the opposite side.

"Desert Dreams" by Ian Plant

8. Frame your subjects

Framing is an effective tool for creating depth in a photograph, simplifying a composition, and focusing attention on important elements of the scene. Examples of commonly used frames include trees, natural arches, and old barn windows. Sometimes framing shots work best if there is an element of contrast between the frame and the subject—for example, silhouetted trees framing a sunlit mountain peak.

"Desert Window" by Ian Plant

9. Get the viewer’s eye moving

Look for ways to get the viewer’s eye engaged in multiple points of interest in your photos. Visual opposition is the key to dynamic compositions—opposing elements create energy. Look for lines or shapes which tilt or point in opposite directions; a balanced arrangement of these elements can be powerful.

"The Devil's Eye" by Ian Plant

10. Provide a logical starting place for the viewer’s visual journey

By providing an obvious point of reference for viewers, you not only help direct their visual movement throughout the image, but you can also simplify an otherwise chaotic scene. Visual anchors are simple yet compelling elements that are typically placed in the foreground of an image, providing this much-needed point of reference. The best visual anchors serve to lead the eye deeper into the scene, and then attract the eye back to the anchor, staring the process over (and hopefully over) again. The effect is a composition that captivates the viewer, making it hard for them to tear their eyes away from the photograph.

"Patience and Persistence" by Ian Plant

Visual Flow:Mastering the Art of CompositionVisual Flow: Mastering the Art of Composition
by Ian Plant (with George Stocking)
287 pages
For more information click here.


Please leave a comment

  1. Judy Royal Glenn Says:

    Ian, Thanks for sharing your knowledge of composition. Your great photographs were perfect examples of each step in mastering composition:) ~ Judy

  2. Ian Plant Says:

    Thanks Judy!

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