Tuesday, February 25, 2014
Use your longer lenses for new perspectives on your scenics
Some of my favorite portfolio images have been taken with my telephoto lenses. Zooming in on the landscape compresses features together and can enable more abstract and artistic compositions. When I was out photographing in the autumn of 2013, I used my 300mm lens as often as the wider-angle lenses since telephoto compositions work particularly well for trees and foliage. In this article, I'll share a few of my favorite telephoto landscapes and what to look for when you want to create intriguing telephoto landscape compositions.
In "Rainbow Waterfall," I also used the 300mm plus the 1.7x teleconverter. I was in Yosemite Valley photographing a more wide-angle composition in Ahwahnee Meadow, and happened to turn around and see the February sun illuminating Upper Yosemite Falls, creating a colorful rainbow from the spray. The rainbow started higher up the waterfall, and as the sun moved, the colors slowly progressed down the waterfall. I quickly put on my telephoto lens, looked through the viewfinder and noticed the tree in the lower left of the image, which lent an important sense of scale to the composition. When the rainbow colors met the trees, I knew I had my shot. Sometimes you can't clearly see the composition until you look through the viewfinder with the tele lens on. I like to handhold the camera while I'm looking for the composition, then before I take the shot, I lock the camera on the tripod and use a cable release with mirror lock-up so that camera shake is eliminated. There's no tolerance for camera movement when shooting telephoto landscapes, since every bit of camera shake is magnified in the final image.
I took "High Country Aspens" with the 300mm lens and 1.7x converter. The telephoto composition allowed me to zoom in on a particular section of this aspen grove in the far distance that had some smaller evergreen trees, which lend a sense of scale and contrast to the scene. When photographing fall foliage, I think it's important to make the tree trunks visible in the composition. These trunks were very tall and straight, making them an ideal subject. The telephoto composition allowed me to emphasize the beauty and uniformity of these trunks by compressing the grove. Photographing the aspens from a distance helped me avoid the distortion created by using a wide-angle lens.
See more of Elizabeth Carmel's photography at elizabethcarmel.com. and thecarmelgallery.com. Workshop information is available at elizabethcarmel.com.
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