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On Landscape

On Landscape

Ansel Adams Award Winner William Neill offers instruction and inspiration in On Landscape.

Tuesday, April 7, 2015

Interpretation Vs. Description

Always be working toward your long-term artistic goals

We've all seen beautiful photographs that are nice, but don't move us emotionally.

Tuesday, February 3, 2015

Variations On A Theme

Sometimes, your first inclination isn’t the only possibility

The art of photography is about interpretation. What's right and what's wrong?

Tuesday, September 23, 2014

Immersive Experiences

Be present to make more creative photographs

Last summer, my family and I took a road trip to the Pacific Northwest.

Tuesday, July 29, 2014

Need To Know

There’s no substitute for getting out and just taking photographs

Photographers have access to endless amounts of guides, tutorials, ebooks and websites about making perfect photographs, any kind of photograph, and that includes landscape photographs.

Tuesday, March 25, 2014

Antarctic Dreams

The exhilaration of being out of the comfort zone

I recently returned from an amazing adventure to Antarctica with Michael Reichmann and Kevin Raber's Luminous Landscape photographic workshop. Only three weeks before departure this past January, I was asked to replace an instructor who was unable to go.

Tuesday, January 28, 2014

The Quest To Be Better

Build depth around a theme to create a broad body of work

As a teacher, I'm often asked by students how they can improve.

Tuesday, October 22, 2013

Field Of Possibilities

Using technology like focus stacking, William Neill creates an otherworldly photo of a roadside subject

One of the main dilemmas for nature photographers is how to frame an image.

Tuesday, July 23, 2013

Environmental Conservation

The world needs more nature photographers with environmental and natural history backgrounds

I'm a photographer and an environmentalist.

Tuesday, April 23, 2013

Natural HDR

Defeat the limits of your DSLR sensor’s latitude

I first started teaching photography way back in 1980 for The Ansel Adams Gallery.

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