Sunday, June 1, 2008
Master Of The Moment
The Photo Traveler in conversation with Joe McNally
Outdoor Photographer: You talk a lot in the chapters about getting there early, which has been one of my mantras, too. What's your thinking behind getting to an event or happening or any appointment early? What happens then?
McNally: Well, I like the sense of calm that that introduces into my head. I like to be able to walk into locations knowing that I haven't screwed up by simply being late. I met my deadline or I met my appointment time. It's a house of cards working on location, and if one card falls, the whole thing can go down. So, by getting there early, I know I'm not going to shoot myself in my own foot.
Outdoor Photographer: There's a great story in the book about arriving early for a celebrity portrait—in this case, the actor Jason Robards—and photographing him at the table of a coffee shop you ducked into while waiting for the appointed portrait time at the theater next door. He was there rehearsing, and you got a wonderful picture. So, as you say, covering the event itself is good, but sometimes the best pictures happen around the edges of these events—the slices of life that occur just before or after the event you're supposed to shoot.
McNally: Absolutely. I mean, I'm sure you do the same thing. For instance, I don't care about the stage production; I care about the makeup rooms and behind the scenes and off in the wings. I don't care about the actual horse race; I like going to the back side of the track in the early morning. That, to me, is always where the really sweet pictures are.
Outdoor Photographer: You talk in a great chapter about being a pest, being persistent. How does this help you?
McNally: I think it's important to convey the sense to someone that you're not going away and that you're honest and very curious about them or their event; you're really committed and interested in showing this aspect of their lives to the world.
It absolutely works in your favor, not only in the sense of getting the job done and getting the photographs, but also when somebody sees that you're really intense, really committed, and working hard, they're more likely to give you a break than at first blush when they're often prepared to just say no.
Outdoor Photographer: Another great point that you make in the book, especially for people who think they want to become professional photographers, is to "never underestimate terror as a motivational tool."
McNally: We've both been there, right? The competition is stiff and, you know, you'd rather die than fail! You get nervous. You want to do well, especially in a tough photo shoot where there's a lot of anticipation and a lot of pressure riding on the outcome. To me, it's like playing a sport or going onstage for a big opening night or something like that. There may be butterflies, but they're not necessarily a distraction; they often focus my attention.
Bob Krist is speaking for Outdoor Photographer with Nikon and Epson in three U.S. cities this year. For more information, log on to www.opseminar.com. For a complete schedule of Bob Krist’s workshops and seminars, check his website, www.bobkrist.com, under the "Teach and Talk" heading. Visit Joe McNally's website at www.joemcnally.com.
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