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The Art of Exhibition
January/February 2008
Putting your work on display, whether in a gallery, museum, local coffeehouse or your living room, is a rewarding opportunity to tell a visual story
By Deborah Klochko / Photography By Fredric Roberts
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A Photographer’s Treasure Map
January/February 2008
Discover your best outdoor photographs when you learn to use topographic maps
By Larry And Donna B. Ulrich
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Digital Horizons: The Rashomon Effect
September 2007
Focusing On Focal Lengths • Cave Photography
What You Should BOur perceptions of equipment strongly influence how we feel about it
By Rob Sheppard
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Tech Tips: Landscape Lenses
August 2007
Focusing On Focal Lengths • Cave Photography
What You Should Bring • Tilt/Shift Lenses For Landscapes
By George D. Lepp
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Tech Tips: Lenses For Panoramics
July 2007
Perspective Control In Panoramics • Tripod Shopping Megapixel Printing • Is What You See, What You Get?
By George D. Lepp
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Digital Horizons: Optics In A Digital World
July 2007
Lenses are limited by the laws of physics, but software can help remove some of those limitations
By Rob Sheppard
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Improve Your Artistic Eye
June 2007
Two professional photographers offer advice on how to expand your sense of style
By Dave Willis
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Make A Photo Book
May 2007
Showcase your talent with a book of your own photography
By Dave Willis
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Working With A Lab
January⁄February 2007
Photo labs aren’t just for film shooters, by a long shot
By Mike Stensvold
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Travel And The Photographer
December 2006
Use preparation and common sense to negotiate today’s heightened security concerns
By Kevin Spreekmeester
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Choosing A Lab
Buyer's Guide 2006
Discover The Benefits Of Using A Photo Lab For Printing Photographs
By Ibarionex R. Perello
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Slides To Digital
October 2006
Duping with a D-SLR
By Mike Stensvold
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John Isaac: Master Printer
October 2006
The former U.N. photographer shares his experiences in creating superior prints
By Ibarionex R. Perello
Photography By John Isaac
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Digital Security
June 2006
How do you protect your gear when traveling?
By Rob Sheppard
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The Better Print
January⁄February 2006
Learn how to get the best results from a photo lab
By Ibarionex R. Perello
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60 Minutes With Chris Johns
November 2006
A conversation with National Geographic’s first field photographer editor
By Steven Werner
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Out With The New, In With The Old
October 2006
Why reports of the death of film may have been exaggerated in this digital age
By William Sawalich
Photography By James Kay
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Beauty & The Beast
July 2005
Tame the large files produced bya high-resolution digital SLR
By Ibarionex R. Perello
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The Ansel Adams Experience
March 2005
Three top nature pros discuss how Adams’ work has influenced their own photography
By Mark Edward Harris
Photography By William Neill, Michael Frye, Art Wolfe
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Keeping The "Phun" In Photography
January⁄February 2005
Use a digital workflow that works for you
By Rob Sheppard
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Self-Publishing Success Story
January⁄February 2005
A husband-and-wife team takes their photography to the best-seller’s list
By Ibarionex R. Perello
Photography By Carl R. Sams II and Jean Stoick
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Get The Best Prints From Your Lab
July 2004
A pro photographer and master printer talk about what it takes to get the highest levels of print quality and consistency
By Robert Glenn Ketchum With Terrance Reimer
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Venturing Into New Country
May 2004
The dos and dont's of safely and responsibly taking your vehicle into the outdoors
By Monica Sheffield, Tread Lightly!® Inc., & The Editors
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Discovering A Workshop
April 2004
Improve your photography in the classroom and in the field
By Ibarionex R. Perello
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Selling Prints For Profits
March 2004
Help turn your hobby into a business with these basic tips
By Mark Lukes
Photography By Ibarionex R. Perello
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Matching The Monitor
January⁄February 2004
Get better results controlling the image on your monitor with these tips
By Rob Sheppard
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