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  • Re: Lava Flow 2
    Posted on Wednesday 22 May, 2013 by Tom Mckelvey.
    Thanks for the ones, as your opinion means so...
  • Re: Done For The Day
    Posted on Wednesday 22 May, 2013 by Lorenzo Cassina.
    Wonderful composition with nice and warm...
  • Re: Lime Kiln Lighthouse
    Posted on Wednesday 22 May, 2013 by Lorenzo Cassina.
    Love it Jim. The leading cloud is taking me to...
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    Posted on Wednesday 22 May, 2013 by Lorenzo Cassina.
    Love the array of deep colors and textures...
  • Re: Colors Of The Night
    Posted on Wednesday 22 May, 2013 by Shannon Smallwood.
    You caught that on a perfect night. I live in...
  • Re: Seagulls And The Waves
    Posted on Tuesday 21 May, 2013 by Lorenzo Cassina.
    A super beauty Nicholas. Nice! Lorenzo
  • Re: The Sun Wave
    Posted on Tuesday 21 May, 2013 by Nicholas Barnhart.
    Thank you for the compliment on my work Jean....
  • Re: The Sun Wave
    Posted on Monday 20 May, 2013 by Jean Hall.
    Splendid capture of this magnificent wave!
Outstanding images selected from the gallery, with tips and critiques from our staff and pro contributors.
Lightbox Theme
Slot Canyons


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An excellent photograph
that’s well composed...more »

A good exposure helps bring
out the texture in...more »

This is really a wonderfully
conceived and...more »

We don’t see many slot
canyon shots with a...more »

This is another beautiful
rendition of Antelope...more »

All around this is a magnificent
shot. There’s detail...more »

The slot canyons of the desert southwest have been a favorite subject of Outdoor Photographer readers for as long as the magazine has existed. The rich colors and textures are dazzling to see and they make for dramatic photographs. There’s a special sense of place in the slots canyons. They are unique and they can actually be very dangerous places where late summer rains can bring flash floods with little or no warning. When you take the appropriate precautions, exploring the slot canyons can be an incredible experience.

Shooting in the slot canyons is challenging. You’re usually working in shadows, but where beams of sunlight come through, it’s very bright. The range can far exceed what your camera can record. Also, because you want to capture the subtle texture on the stone walls, keeping noise to a minimum is important. You want to be sure to use a tripod to hold your camera rock-steady and select a low ISO (ISO 200 on most digital cameras will do nicely).