There’s more to getting a good black-and-white image than just shooting in color and doing a conversion. In the field, take advantage of your camera’s settings and you can unleash its inner TRI-X!
There are two basic ways to produce black-and-white images digitally: Shoot them that way in-camera or shoot them in color and convert them to black-and-white using imaging software. Both offer advantages. Most of today’s D-SLRs provide a monochrome mode.
Cameras keep getting better, and the latest models to come out this fall are among the very best yet for nature photographers
It’s fall, and besides the annual leaf change and wildlife migrations, this is a time of year when manufacturers unveil their new D-SLR lineups. Some of these cameras are ready and available right now, some are coming soon, and others are only concepts, but all of them represent new leaps forward in technology that will help you make better photographs.
If you’re looking to boost the quality of your landscape and nature images by stepping up to an SLR, Pentax delivers a complete entry-level system with a camera body, lens, flash and an affordable price tag.
Our annual roundup of gadgets and gear to help the outdoor photographer in your life get better pictures
With the holidays fast approaching, Outdoor Photographer offers our annual collection of photo gear to help you get better photographs. This year, we have everything from printers to software to photo backpacks. What you won’t find in this guide are cameras or lenses. Instead, we focus on the accessories that work with any camera or lens setup you have. Happy Holidays!
15.1 megapixels, 920,000-dot Live-View LCD monitor, 6.3 fps shooting and ISOs up to 12,800
Just a year after Canon debuted a major upgrade to its popular mid-level EOS 30D D-SLR via the EOS 40D, the company has introduced a major upgrade of the 40D. The new EOS 50D raises the resolution a whopping 50% while maintaining essentially the same shooting rate, introduces Canon’s latest DIGIC 4 image processor to the D-SLR line, increases the LCD monitor’s resolution fourfold and more.
Try a spotting scope as an alternative to an extreme telephoto lens for birding and small wildlife shots
One of the biggest challenges photographing wildlife is having enough magnification. You want to fill the frame and utilize all of the resolution of your digital SLR, but for most of us that means having an extreme telephoto lens, which can be prohibitively expensive.
When you want to shoot without the full bag on your back, you can keep a few lenses and accessories protected with a small pouch or wrap
There are times when no gadget bag will do. When you’re out shooting with one D-SLR and two zooms, a bag can just get in the way. Even so, it’s still important to protect the lens that’s not on your camera. That’s when you reach for a wrap or a floppy case.
Today’s high-tech black-and-white printers can produce images that surpass anything that was possible in the film darkroom
Black-and-white printing has never been more popular than it is today. Programs like Aperture, Lightroom and Photoshop make it easy to convert color images into compelling black-and-white shots that would have made Ansel Adams proud.
Step up to shooting with a D-SLR using the EOS Rebel XS, the latest entry-level camera from Canon. Top-notch features include a DIGIC III image processor, 10.1-megapixel CMOS sensor, 2.5-inch LCD with Live View, Auto Lighting Optimizer, 7-point wide-area autofocus (AF) sensor and 3 fps continuous JPEG burst rate.
If tripods and monopods don’t work for you when photographing fast-flying wildlife, try a BushHawk
As an avid bird photographer, I’ve tried to photograph birds with big telephoto lenses. When I used film, I shot lots of pictures, but didn’t get many keepers. After I purchased my first digital SLR camera and had taken lots of travel pictures, I decided to try it out on the birds.