Camera Lenses Reviews and Articles
With a variety of camera lenses on the market, how do you choose the one that's best for your outdoor camera? Check out our digital camera lens reviews. From wide-angle lenses and telephoto zooms, trust advice from the experts.
Tuesday, February 9, 2010
What Lens Would Adams Use?
To get the very best sharpness, colors, contrast and overall image quality, you need to use the best lens possible Ansel Adams used the sharpest lenses he could find for his cameras, experimenting with a number of them to discover the best ones for his work, be it a 70-year-old, 12-inch Voigtlander, the renowned 12-inch Goerz Dagor or the latest 121mm Schneider Super Angulon.
Tuesday, February 9, 2010
Beyond The Usual Yosemite
Ansel Adams’ famous images of Yosemite helped make it a photographer’s mecca. Today, finding your own vision of one of our most well-known national parks requires getting off the beaten trail. When you’ve been photographing Yosemite National Park for as long as I have, there comes a point at which you just can’t shoot another one from Tunnel View.
Tuesday, December 1, 2009
Choose Your Perfect Zoom
The modern zoom lens is a marvel of technology, and it’s the nature photographer’s best friend There was a time when most landscape photographers used prime (single-focal-length) wide-angle and normal lenses, while wildlife photographers relied on prime super-telephoto lenses.
Tuesday, August 18, 2009
Up Close And Wide!
How to get the most from your fisheye lens Apparently, a fisheye lens is how a fish actually sees the world from its bowl.
Tuesday, August 4, 2009
Building Your Lens Kit For Digital Action
With the autumn migrations and rutting season approaching fast, now is the time to put together a set of lenses to help you capture all the action Now is an ideal time to upgrade your lenses. Fall wildlife season is here, and it’s also the time of year when you can make some of the best landscapes.
Tuesday, May 5, 2009
Building The Ultimate Lens Kit
There are so many top-notch, high-tech, affordable lenses available for nature photography, it’s easy to assemble a collection that will give you the right tool for what you love to do Outdoor photography encompasses a lot of territory—from landscapes, wildlife and macro to tripod-mounted shots of static scenes and handheld shots of quick action. So the “best” lens(es) depend in large part on what you photograph outdoors and how you see the outdoor world. A basic three-lens kit is a good starting point, and it gives you a solid foundation from which to build. Expanding from the basic three is like constructing the structure on that foundation.
Tuesday, April 21, 2009
The Poor Man’s Super-Telephoto
Using a tele-extender can give your long lenses even more punch for wildlife and landscape photos The lens of choice among the serious pro wildlife photographers I know seems to be the 600mm ƒ/4 super-telephoto. It’s great for subjects that won’t let you get close, is incredibly sharp, and autofocuses quickly and accurately. However, it costs over $7,000. That being just a bit beyond my budget, when I really need “reach,” I turn my $1,200 300mm ƒ/4 lens into a 600mm ƒ/8 by attaching a $300 2x teleconverter between the lens and camera body.
Tuesday, April 7, 2009
Lenses For Landscapes
Looking for the perfect lens for your scenics? Check out the options and see what some top OP pros have to say about their favorite choices. At heart, the choice of lens for any photo is based on the photographer’s vision, on how he or she “sees” the subject and the final image. Wide-angle lenses take in a vast angle of view, and individual elements of the scene are relatively tiny. Telephotos zero in on a small, distant portion of the scene, compressing the elements, and individual elements are much larger in the image.
Sunday, June 1, 2008
In the digital age, the advantages of a big maximum aperture are greater than ever When Kodachrome 64 and Fujichrome Velvia 50 were the mainstays of outdoor photographers, a fast lens was a critical advantage, especially when handholding in early-morning or late-afternoon light. Lenses like the 300mm ƒ/2.8, 70-200mm ƒ/2.8, 105mm ƒ/2 and 50mm ƒ/1.4 or ƒ/1.2 were the workhorse lenses that propped up shutter speeds as light deteriorated.
Saturday, March 1, 2008
Choosing Your Tele-Zoom
Some of the best nature photographers share thoughts and tips on their favorite medium telephoto zoom lenses The versatility of medium tele-zooms is just incredible. With ranges that vary from around 50mm to between 200mm and 400mm at the high end, these lenses provide a tremendous variety of framing options for landscape, wildlife, sports action and macro work. Between one of these lenses and a good wide-angle, you can travel most anywhere and be confident that your bases will be covered for nearly any situation. And you can travel light—an absolute necessity if you fly anywhere these days, given the weight restrictions on baggage, not to mention how much easier it can be on your back.
Saturday, March 1, 2008
Tamron AF28-300mm f/3.5-6.3 VC Zoom
There's a new player in the stabilization game: Welcome to Tamron‚’s Vibration Control zoom It becomes a challenge to lug a lot of gear into the field. On the other hand, it’s nice to have wide-angle, telephoto and close-up capability, as well as a tripod for support. So the dilemma is always to either travel comfortably or be prepared for anything.
Saturday, December 1, 2007
Zeiss F-Mount Lenses
A trio of new high-quality optics are available for the Nikon line of cameras A new player has entered the arena of digital SLR nature photography. While it’s a name synonymous with exceptional quality and performance in its optics, that reputation has mostly centered on medium-format camera lenses, binoculars, spotting scopes and motion-picture lenses used by Hollywood’s movie industry.
Saturday, September 1, 2007
Tamron AF18-250mm f/3.5-6.3 Di II LD Aspherical (IF)
Closer than ever to “one lens does it all” My favorite photo subjects are birds, and I like to travel light, so I do most of my shooting with one lens, a fast telephoto. But between close encounters of the bird kind, I often come across lovely landscapes and flowers that require a much wider or closer viewpoint. The 18-200mm zoom lenses for my small-sensor digital SLR aren’t quite long enough for most birds and other distant wildlife, while the 28-300mm lenses aren’t really wide-angle on such D-SLRs. So I have to carry another lens or two or miss out on those non-bird photo ops.
Wednesday, August 1, 2007
Tokina AT-X 107 DX AF 10-17mm f/3.5-4.5 Fish-Eye
A creative approach to nature photography provided by this ultra-wide-angle zoom Tokina’s AT-X 107 DX AF 10-17mm ƒ/3.5-4.5 fish-eye zoom lens is the most fun I’ve had with a lens in a long while. It features an incredibly wide 180-degree field of view, and with its zoom, something unique for fish-eye lenses, it also acts effectively as a wide-angle lens (albeit with some barrel distortion).
Sunday, July 1, 2007
Sigma APO 50-150mm f/2.8 EX DC HSM
This fast, versatile tele-zoom lens adds to your shooting options Transitioning quickly from one shot to the next using a variety of focal lengths—it’s one of the features I appreciate most in the new APO 50-150mm ƒ/2.8 EX DC HSM telephoto zoom lens from Sigma. One moment you can get down low to compose a close-up of a lizard and the next you can zoom in tight on a bird about to burst into flight 50 feet away. In addition to its quick response time, the Hyper Sonic Motor (HSM) autofocus is remarkably silent. And the manual focus override switch makes changing from one mode to the other simple, even while shooting.
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