Named for Ono no Komachi, a famous Japanese poet, Olympus delivers the limited-edition E-420 Komachi Kit, which includes the compact D-SLR and the ED 25mm ƒ/2.8 Zuiko Digital lens in a vintage-looking, handmade brown leather case.
If you’re looking to boost the quality of your landscape and nature images by stepping up to an SLR, Pentax delivers a complete entry-level system with a camera body, lens, flash and an affordable price tag.
When you want to shoot without the full bag on your back, you can keep a few lenses and accessories protected with a small pouch or wrap
There are times when no gadget bag will do. When you’re out shooting with one D-SLR and two zooms, a bag can just get in the way. Even so, it’s still important to protect the lens that’s not on your camera. That’s when you reach for a wrap or a floppy case.
Step up to shooting with a D-SLR using the EOS Rebel XS, the latest entry-level camera from Canon. Top-notch features include a DIGIC III image processor, 10.1-megapixel CMOS sensor, 2.5-inch LCD with Live View, Auto Lighting Optimizer, 7-point wide-area autofocus (AF) sensor and 3 fps continuous JPEG burst rate.
The newest member of Nikon’s FX-format (full-frame) lineup looks to be a serious contender for nature shooters
For the outdoor photographer who loves the full-frame capability and superb performance of Nikon’s top-of-the-line D3, but would prefer a smaller, lighter camera (and a lighter price), Nikon has introduced the D700. The camera shares many of the D3’s fine features, but is much more compact (albeit still quite rugged) and costs $2,000 less. The D700 even adds a few features not present in the D3, like a pop-up Speedlight flash unit and a sensor-dust reduction system.
External hard drives serve as entire image libraries in the palm of your hand
What fits in your jacket pocket and holds 75,000 digital images or more? The answer: a portable external hard drive. Built using the same high-quality storage components you’ll find inside most notebook or laptop computers, these external hard drives typically consist of a 2.5-inch drive mechanism, a controller card and a high-speed interface connection—all housed in a durable and transportable shell.
Go from wide-angle to telephoto range with a constant ƒ/4 maximum aperture using the smc Pentax DA 17-70mm ƒ/4 AL [IF] SDM. The 17.1-ounce lens covers a 4.1x focal range of 26-107mm (35mm equivalent) on Pentax D-SLRs. Some of the standout features include a 0.31x maximum magnification, an 11-inch close-focus distance and a QuickShift Focus System for instant switching from auto to manual focus.
It’s a matter of precision. If the ability to point your camera exactly where you want and securely hold it in the same position is important to you, you need a ballhead.
The ballhead is beloved by landscape photographers for its infinite adjustability and ease of use, combined with the ability to align the camera with precision. In its simplest incarnation, a ballhead is a housing with a sphere trapped inside. A connecting screw attaches a camera tangentially to the sphere, and both rotate together around a single point.
Take sharp handheld shots with the Tamron AF28-300mm ƒ/3.5-6.3 XR Di VC LD Aspherical (IF) Macro lens. The compact, high-power zoom gives you a four-stop shutter speed advantage by incorporating a highly accurate gyro sensor that detects hand shake.
This new D-SLR features 14.6 megapixels, a weatherproof body and a Live View LCD
The fourth D-SLR to result from the Samsung-Pentax partnership, the GX-20 shares much with the new Pentax K20D, including its new Samsung 14.6-megapixel CMOS image sensor and rugged dust- and water-resistant construction.
New D-SLRs offer low prices and excellent image quality
Sony’s newest D-SLRs, the A350 and A300, offer simple operation, great value and amazing versatility. The A350 features a 14.2-megapixel image sensor and a price under $800; the otherwise identical A300 features a 10.2-megapixel CCD sensor. Like all Sony D-SLRs, both can use a wide range of Sony, Zeiss and Minolta Maxxum lenses.
If there ever has been a single piece of gear that all nature photographers agree is indispensable, it’s the polarizer
The label reads somewhat like a too-good-to-be-true advertisement for photography snake oil: “Removes glare, darkens blue skies, enhances colors and lets you see underwater.” But all of this—and more—can be truthfully said about polarizing filters.