Master the skills you need with photography techniques from the experts. Whether you're a novice seeking advice on landscape, wildlife or nature photography or a pro looking for more advanced techniques, you'll find all the information you need, here.
The gold standard in imaging software has been updated. OP takes you through the new features most useful to nature photographers.
Many photographers anticipate the arrival of a new version of Photoshop. Should I upgrade or not? Photoshop CS4 offers outstanding tools, naturally, but that doesn’t mean it’s necessarily for everyone.
It’s easy to take autofocus for granted. I know, I do. This technology is amazing—your camera has to figure out what should be sharp in a scene, focus the lens and take the picture, all in a fraction of a second.
There are no commandments in photography, but these simple tips will make an immediate difference in your shots
Who among us isn’t hoping for a secret formula or a magic spell we can use to conjure up great images anywhere, anytime, at our beck and call? A switch we can flip to reveal unique compositions, beautiful light, rare moments and deep insight—a “silver bullet.”
Discover new ways to enhance images using this classic editing program
There’s no shortage of options when it comes to using Adobe Photoshop to improve the quality of your nature photography. Photoshop is, after all, the standard by which all other image-editing software programs are measured.
Stunning panoramas are within your grasp with this step-by-step process
What is a panorama, and why would you create one? Although panos have been around for a long time, advances in tripod heads and software have made creating excellent panoramas much easier. How do you know when you have a panoramic opportunity?
In this, the second installment of “Adventures in Multimedia,” I’ll discuss some basics about gathering and editing sound. Last issue, I covered choosing and using a digital sound recorder, whether it’s one of the dedicated units like the Olympus LS-10 or Zoom H2, or even your iPod with one of the optional recording microphone attachments that are becoming ever more popular.
When you have to work fast to frame and focus, keeping your camera steady can be a challenge. Try these tips to keep the shots sharp.
Anyone who has attended a George Lepp seminar knows that tripods are a favorite subject! And in the age of digital, where multiple composited images solve problems such as excessive contrast and limited depth of field, a tripod is a must.
Don’t rely on setting the camera to auto or fixing a photo after capture. Check out what the pros have to say about exposure.
Mastering exposure is every bit as important for a digital shooter as it is for a film photographer. Routine technical choices about metering, lens aperture and shutter speed remain the basic ingredients for a well-executed photograph. But what if you’re trying to capture a forest freshly covered in snow, or photograph a close-up shot of a bee crawling on a sunflower, or compose an image of the ocean just after sunset?
Beyond illumination, there is the mood of a photograph
Family and friends have to get used to a photographer’s definition of good shooting conditions. They’ll ask, “How’s the weather out?”, whereas a photographer will ask, “How’s the light?” One of the key components of any photograph—whether you’re working in a studio or outdoors—is the quality of light. The “feel” of the light in a photograph often can determine its visual impact.
Returning to your favorite places gives you the chance to push the boundaries of your own photographic exploration
The question I’m asked most frequently at workshops and when talking with other photographers: Where is my favorite place to shoot photos? The intent of a question like this is to discover what’s at the core of what I like best when I look for a photo location. When I answer with a string of places, including mountains, deserts and locations around the world, this doesn’t address the question with a tidy answer.
From the Arctic to the Serengeti, global nature photographer Daniel J. Cox shares his tips for taking images in extreme weather conditions
The wind is howling—not sure of the speed exactly, but the weather report suggested gusts of 30 mph or more with a wind chill in the area of -50º F. Wind chill is an understatement when the ambient temperature is already -30º F. The word “chill” seems a little underhyped. It has been two hours, and I’m still kneeling in the icy snow, my kneecaps starting to feel like frozen saucers.
Among the great leaps and advances with which digital photography has provided us is a whole new way of sharing our work with others. In the past, you could make prints, or if you were a professional, maybe illustrate a magazine article or a book project—pretty slim pickings.