Master the skills you need with photography techniques from the experts. Whether you're a novice seeking advice on landscape, wildlife or nature photography or a pro looking for more advanced techniques, you'll find all the information you need, here.
Getting in close and maintaining critical focus is the forte of this breed of lens
Macro lenses come in a variety of focal lengths: standard 50mm to 70mm, short telephoto 85mm to 100mm and telephoto 180mm to 200mm. With standard focal-length macros, you have to be physically much closer to your subject to get the full, 1:1 life-size magnification. Lens-to-subject distance usually will be less than six inches.
As the weather warms, the Northeast offers some of its most dramatic and colorful vistas
The Green Mountains are thickly forested and crisscrossed with a myriad of hiking trails, backcountry dirt roads and rushing streams to explore. In spring, I enjoy venturing into the woods, searching for compositions that feature the rich greens of spring that seem to peak from the middle of May to mid-June.
Don't let a bright or dark background sneak in and ruin your exposure!
While the multi-segment metering systems built into today’s D-SLR cameras provide excellent exposures in an amazingly wide range of situations, there are some scenes that can fool them. Learning to recognize and compensate for those situations will make you a better photographer.
For David Stoecklein, any light will do. He takes what the scene gives him and makes the mood match the subject for inspiring photographs.
Photographer David Stoecklein is well known as a master photographer of the American West, but if you ask him, he’ll tell you he’s just a hunter of light. And for this cowboy photographer, even though so many photographers speak in these terms, the metaphor makes sense. His mission is seeking out drama for his photographs—and that usually means working with both warm and cool light.
Ansel Adams didn't have a digital darkroom at his disposal, but you do. Learn how you can make the most of it.
The big three of printing, Canon, Epson and HP, now offer technologies that have made black-and-white printing more exciting than ever. With inks, papers and printers providing black-and-white prints that can last well over a century, it’s time to learn a little more about how to get quality black-and-white prints from your images.
D-SLRs now can see what the lens sees directly at the sensor rather than only through the viewfinder
When digital cameras entered the market, Sony had one of the first cameras with a rotating lens assembly, so you could see the LCD at different angles compared to the way the lens could see the world. I shot with it up high, down low, and I loved not being restricted to shooting right at my eye level. I could actually see what the lens was seeing when the camera was on the ground without lying on the ground myself.
As spring arrives, so do fresh photo ops, and some of the best are in places you can’t reach by vehicle. Hiking in wild places can lead you to lots of terrific wildlife and landscapes, but also to some hazards.
Putting your work on display, whether in a gallery, museum, local coffeehouse or your living room, is a rewarding opportunity to tell a visual story
You’ve been shooting for awhile and have perfected your printing, so now it’s time to step back and really look at what you’ve created. When you have a body of work that you feel good about, it’s time to think about presenting your photographs to outside eyes. Whether you decide to present your work as an exhibition or a portfolio, there are a number of choices to be made. What to display? Should the exhibition be an overview of work you’ve shot or should it tell a single story?
Adobe's newest entry in digital imaging is a powerful tool for outdoor shooters
Adobe Photoshop Lightroom has gained well-deserved attention in the short time it has been on the market, and it’s the true photographer-centric way the program has been designed that makes it so inviting.
A professional landscape photographer tells why and how using advanced capabilities in software can give new life to color images by converting them to black-and-white
Whenever the terms "black-and-white" and "landscape photography" are mentioned in the same sentence, most of us conjure up the dramatic work of Ansel Adams or perhaps Edward Weston. Along with several other photographers, Adams and Weston formed the ƒ/64 group in the early 1930s and set the aesthetic standard for American photography for years to come.
Learn to use the subtleties of illumination for dramatic landscape images
You know the difference between frontlight, sidelight and backlight. You’ve heard about the need to capture the "magic hours" around sunrise and sunset. But to master light, the essence of photography, you have to move beyond these basics and learn the nuances—the subtleties that can make a dull image brilliant.
When the weather turns bad, it's time to get the camera. Even in the winter, there are astonishing images to be had if you‚’re willing to look for them.
My choice of seats on the eastern rim of a 1,000-foot chasm was questionable, but the sandstone boulder was a welcome relief from the long hike I had just made along the rimrock in search of cactus flowers in bloom. It was in the spring season, and wildflowers were blossoming in full color over the northern Texas Panhandle, and I needed images for a Texas Highways article on Panhandle flowering plants. The day had been long, and I was taking a much-needed respite before the 200-mile drive home.
An estimated 80,000 images are licensed for publication each day, with the stock-photo industry making sales of about $2 billion per year. Here‚’s a primer on how to market your images as stock.
More than 29 years ago, I received my first check in the mail for the use of one of my images. It was an indescribable thrill for a beginning nature photographer—the ultimate affirmation of my work. I now have more than 10,000 published images, and I firmly believe you also can have the same success.
The Targeted Adjustment Tool—a geeky name for a wonderful part of Lightroom
Wouldn’t you like a magic button that would allow you to get the most from your photography, make digital easier to work with and shorten your time in front of the computer? Of course, you would! Any nature photographer would, especially if it means less time inside and more time outside.
Turn your good images into your best images by using Photoshop to bring out those details that are too bright or too dark
Do you have that potentially great shot sitting on your hard drive, ready to be made into a beautiful print or sold to some publication that could really use such a brilliant image? Except for one little problem. The photo is too dark or too light to be used in those ways. Maybe it’s not even the whole photo, but just a part of it; but that part is too important and serves as a distraction to the overall image.