Master the skills you need with photography techniques from the experts. Whether you're a novice seeking advice on landscape, wildlife or nature photography or a pro looking for more advanced techniques, you'll find all the information you need, here.
Use these techniques to add a feeling of motion to your images
As a visual storyteller, I sometimes look at my video-shooting colleagues with more than a little envy. They carry only one camera (albeit a big one) with one zoom lens of incredible range and speed; they not only capture sound, but seem to be able to shoot in pitch-dark conditions as well; and most enviable of all, they can record movement and the passage of time.
Understanding Shutter Speeds And ƒ-stops. Here are some tips to help you get consistently good exposure
Let’s begin with shutter speed. Shutter speed is the time the shutter, which lets light onto the digital image sensor, remains open—or the time the image sensor is activated. If you’re new to photography, look at it this way. If you’re in a room and open and lower a window shade, you’re basically doing the same thing a shutter does: letting light expose an area. The longer you leave the shade up, the longer the room is illuminated.
You can successfully photograph in wet conditions with digital gear
The rain forests of Central America beckon to photographers in so many ways. Popular books, such as Rainforest by Thomas Marent, show off the amazing colors, the unusual forms and shapes, and the exotic attraction of the area. For a very long time, I really wanted to visit a rain forest and photograph there.
Talented artists are always eager to embrace new technology if it has the potential to enrich their art and bring forth their vision. If he had access to today's tools, what would Ansel Adams do?
More than 20 years since his passing, Ansel Adams is probably still the most widely known black-and-white outdoor photographer. He didn’t shoot digitally because digital imaging as we know it didn’t exist in those days. But I think the legendary black-and-white master would be quite interested in digital imaging were he in his shooting prime today.
Your best images come when you see the photograph as a whole
Why do people climb dangerous mountains, and why are people so obsessed with the quest for adventure? These are common questions among people who don’t climb mountains. And for that matter, I’m also asked about what pushes me to pursue adventure photography. Couldn’t I have opted for any number of less dangerous photo careers?
Photo labs aren't just for film shooters, by a long shot
How things have changed. As a new photographer many multitudes of moons ago, I developed my own film and made my own prints, in large part because I couldn’t afford to have a good lab do it. Today, in the digital age, it actually costs less to use a good lab—and the quality is excellent.
Hamlet's new D-SLR dilemma: to underexpose or not to underexpose?
I know you’ve heard this or something like it: "I always underexpose my digital files. I want to be sure my highlights are protected, so underexposure, for me, is like insurance for the highlights. Anyway, I shoot RAW, so it really doesn’t matter if my image is underexposed."
Keep your photographic eye sharp by exploring the winter world
The old saying in Minnesota is that we have nine months of winter and three months of tough sledding. While this is a bit of an exaggeration, it often starts to seem that way to photographers waiting for spring wildflowers and lush green scenics.
Make digital work for you with these easy-to-use tips that solve typical challenges faced in the digital darkroom
Isn’t it about time you make digital work for you? Let’s face it, there are so many pressures to consider today, from buying the "perfect" camera to using Photoshop the "right" way. There are a number of common digital challenges that I’ve seen in magazine submissions, contests and workshops—challenges that affect nearly everyone, from pro to amateur, working digitally. Get a handle on them and make digital work for you with the solutions outlined here.
A retrospective exhibit explores the influence of Eliot Porter on Robert Ketchum's work—and Ketchum's departure from it.
When Eliot Porter set aside his microscope and picked up a view camera, leaving behind his biochemical research at Harvard University to pursue photography full time, he couldn’t possibly have known the impact his work as a photographer would make. Porter not only inspired generations of color photographers, but also helped fuel an environmental movement responding to a growing awareness of the effects of industrialization on the landscape.
Use preparation and common sense to negotiate today's heightened security concerns
Today’s environment of heightened security and stretched tensions can make travel with photo gear more challenging. Since the regulations of various countries, airlines and border crossings are diverse and dynamic, my recommendations are guidelines only. That being said, two things will put you in good standing no matter where you travel: use a combination of common sense and courtesy, and do your homework.
Use these tips to make the most of this key Photoshop tool
Working in an image-editing program without utilizing Layers is, from my perspective, like using a pro SLR and leaving it on manual all the time. You’ll still be able to make quality images, but you certainly won’t be taking advantage of all the technology that makes life easier!
Choose and use filters to improve and enhance your landscape photographs
Filters are a big part of landscape photography, and every photographer needs a few. Though you’ll hear some shooters talk about all the possibilities available through the digital darkroom, achieving an effect in-camera is often easier and simplifies your Photoshop workflow. Some effects, such as the polarizer’s reduction of glare on water, aren’t even possible in a computer.
Discover the monochrome world using your digital camera
At one time, if you were interested in black-and-white photography, you had to have access to a wet darkroom. Yes, your local photo lab could provide black-and-white prints, but they were flat and unimpressive compared to what you could achieve on your own under the glow of the red safe light. Now you can produce black-and-white images from your digital files and, most importantly, produce stunning monochrome prints that are as good as anything created on silver-based papers.
There are two basic ways to handle a moving subject photographically: freeze it with a fast shutter speed or blur it with a long exposure. But there’s a little more to successful action photography than that.