Master the skills you need with photography techniques from the experts. Whether you're a novice seeking advice on landscape, wildlife or nature photography or a pro looking for more advanced techniques, you'll find all the information you need, here.
Get a different perspective on your favorite scenic vistas by experimenting with telephoto lens compositions
Say the words “landscape photography,” and most people immediately think of wide-open spaces, majestic mountains, big skies, long views and extreme perspectives. And yet, some landscape images don’t necessarily need impressive land features or dramatic skies. In fact, they may not need sky at all. Successful compositions can be found not only on a grand scale, but also in intimate, graceful detail.
The new version of the popular Adobe software melds traditional darkroom controls with the digital world
Adobe Photoshop Lightroom 2 is an amazing program. I’ve been working with it throughout its development process, and I feel like I’m back in the world of the traditional darkroom, now for color images. Lightroom was designed to help the photographer gain more control over his or her images while maintaining an efficient and effective workflow. It’s about organizing digital images to make them more accessible, processing them quickly and then getting them to an audience through slideshows, prints or web galleries (and, of course, image files).
Keeping track of where you photographed that last spectacular sunset or a deer roaming a mountain landscape is a challenging task. This is where GPS technology is an outdoor photographer’s best friend. While popular spots like Delicate Arch or Half Dome are well documented, when you’re venturing deeper into the wild, having a tool to mark exact locations, times and dates of when the shutter was pressed comes in handy, especially later when you’re downloading and cataloging images.
Take advantage of High Dynamic Range software to photograph the landscape in a more visual way
Landscape photographers have been challenged by the range of tones in real life compared to what they can capture with the camera. This was true when Ansel Adams was shooting black-and-white large-format images 60 years ago, and it’s true today for digital photographers. Sunlight and shade can be too much for even the best of sensors.
Short workshops and seminars offer fresh ideas and a new handle on techniques, plus help photographers overcome roadblocks to success—all in a brief period of time
Weekend workshops and seminars present an opportunity for outdoor photographers to absorb and learn new skills and techniques over an intense few days. From lectures on mastering the digital print to shooting with pros in the field, there are ample opportunities to do what we love and learn something new.
Tips and techniques from one of the experts at Nash Editions will help you make your best black-and-white prints ever
As the digital march continues onward, there’s one thing that will never change: the pure aesthetic quality of elegant black-and-white imagery. My position at Nash Editions has exposed me to a wide variety of photographic art, and with that variety comes a plethora of problems. Much of my Photoshop skills are a direct result of problem solving.
In a season dominated by green, you can help the natural landscape with your camera, filters and the delicate use of Photoshop tools
In the summer, hot on the heels of a season that positively bursts with varied hues, the color that most comes to mind is green. The landscape becomes a green carpet, and finding dramatic color combinations can be a daunting task. Sure, there still are flowers and blooms to work with, but compared to the explosion of spring colors, summer photography can be tough. To make summer color really pop, you can turn to some special equipment and technology.
A revolutionary software package redefines what’s possible for you to achieve with sharp focus in a photograph
In the digital era, advancements arrive every few months—not just in cameras, but also in the form of image-processing software programs. Some of these give us new standards for judging both photographers and their photographs. Coupled with decent equipment and capturing techniques, great image-processing programs leave no excuse for images that are less than sharp, improperly exposed, incorrectly colored or poorly framed. Now another new program, Helicon Focus, has removed the limits to depth of field in photography.
Today’s tilt-shift lenses offer unparalleled perspective control
Ansel Adams was best known for his ultra-sharp landscapes, which he achieved through the use of a 4x5 view camera. The view camera allowed Adams to adjust the film plane and the lens plane so he could control the depth of field and the size relationships of objects in the frame with tilt and rise and fall movements. Using this technique, he was able to alter the perspective to his desire, whether he was trying to achieve perspective control through rise movements in Yosemite or increasing the depth of field by making the lens standard tilt down.
Photographic tours and workshops offer hands-on learning experiences with professional photographers in incredible and iconic locations
Attending a top photographic workshop is more than a mere vacation, it's an opportunity to immerse yourself in a new location and learn skills that will pay off again and again. Photo workshops go beyond basics like how to use your histogram, getting the right exposure or the benefits of shooting on a tripod. A workshop is a way to hone your skills through hands-on learning in some of the best locations in the world for nature photography.
The flowers that bloom so profusely in the Spring give you a chance to create otherworldly images of color and shape. It's photography that's beyond the ordinary.
My exploration into the incredible beauty of abstract flower photography began at a photo workshop at Point Reyes National Seashore in California. It was a turning point in my life! Once I discovered the unlimited number of graphic designs I could create with the colors and patterns and flowing lines of a blossom—the way I could change the drama and mood by subtly changing how the light played on the petals and accented the shadows—I was hooked.
No matter what the weather, the light or the location, you always can get into the close-up world and find "the picture"
Macro photography is an exciting endeavor—it's an entry into a world that's unseen by most people, who move blithely past the explosion of life all around us because it comes in such small packages. Photographers who find and capture that life in a picture immediately can show off images that will surprise and delight the average person just because the subject matter is largely unseen.
Getting in close and maintaining critical focus is the forte of this breed of lens
Macro lenses come in a variety of focal lengths: standard 50mm to 70mm, short telephoto 85mm to 100mm and telephoto 180mm to 200mm. With standard focal-length macros, you have to be physically much closer to your subject to get the full, 1:1 life-size magnification. Lens-to-subject distance usually will be less than six inches.
As the weather warms, the Northeast offers some of its most dramatic and colorful vistas
The Green Mountains are thickly forested and crisscrossed with a myriad of hiking trails, backcountry dirt roads and rushing streams to explore. In spring, I enjoy venturing into the woods, searching for compositions that feature the rich greens of spring that seem to peak from the middle of May to mid-June.
Don't let a bright or dark background sneak in and ruin your exposure!
While the multi-segment metering systems built into today’s D-SLR cameras provide excellent exposures in an amazingly wide range of situations, there are some scenes that can fool them. Learning to recognize and compensate for those situations will make you a better photographer.