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Outdoor Photography Techniques


Master the skills you need with photography techniques from the experts. Whether you're a novice seeking advice on landscape, wildlife or nature photography or a pro looking for more advanced techniques, you'll find all the information you need, here.




Saturday, March 1, 2008

Your Ultimate B&W Print

Ansel Adams didn't have a digital darkroom at his disposal, but you do. Learn how you can make the most of it.

The big three of printing, Canon, Epson and HP, now offer technologies that have made black-and-white printing more exciting than ever. With inks, papers and printers providing black-and-white prints that can last well over a century, it’s time to learn a little more about how to get quality black-and-white prints from your images.

Saturday, March 1, 2008

Live View, Hype Or Benefit?

D-SLRs now can see what the lens sees directly at the sensor rather than only through the viewfinder

When digital cameras entered the market, Sony had one of the first cameras with a rotating lens assembly, so you could see the LCD at different angles compared to the way the lens could see the world. I shot with it up high, down low, and I loved not being restricted to shooting right at my eye level. I could actually see what the lens was seeing when the camera was on the ground without lying on the ground myself.

Saturday, March 1, 2008

Spring Trail Tips

Don't forget the basics!

As spring arrives, so do fresh photo ops, and some of the best are in places you can’t reach by vehicle. Hiking in wild places can lead you to lots of terrific wildlife and landscapes, but also to some hazards.

Tuesday, January 1, 2008

The Art Of Exhibition

Putting your work on display, whether in a gallery, museum, local coffeehouse or your living room, is a rewarding opportunity to tell a visual story

You’ve been shooting for awhile and have perfected your printing, so now it’s time to step back and really look at what you’ve created. When you have a body of work that you feel good about, it’s time to think about presenting your photographs to outside eyes. Whether you decide to present your work as an exhibition or a portfolio, there are a number of choices to be made. What to display? Should the exhibition be an overview of work you’ve shot or should it tell a single story?

Tuesday, January 1, 2008

Lightroom For Nature Photographers

Adobe's newest entry in digital imaging is a powerful tool for outdoor shooters

Adobe Photoshop Lightroom has gained well-deserved attention in the short time it has been on the market, and it’s the true photographer-centric way the program has been designed that makes it so inviting.

Tuesday, January 1, 2008

Making A Conversion

A professional landscape photographer tells why and how using advanced capabilities in software can give new life to color images by converting them to black-and-white

Whenever the terms "black-and-white" and "landscape photography" are mentioned in the same sentence, most of us conjure up the dramatic work of Ansel Adams or perhaps Edward Weston. Along with several other photographers, Adams and Weston formed the ƒ/64 group in the early 1930s and set the aesthetic standard for American photography for years to come.

Saturday, December 1, 2007

Extraordinary Light

Learn to use the subtleties of illumination for dramatic landscape images

You know the difference between frontlight, sidelight and backlight. You’ve heard about the need to capture the "magic hours" around sunrise and sunset. But to master light, the essence of photography, you have to move beyond these basics and learn the nuances—the subtleties that can make a dull image brilliant.

Saturday, December 1, 2007

Storm Chaser

When the weather turns bad, it's time to get the camera. Even in the winter, there are astonishing images to be had if you‚’re willing to look for them.

My choice of seats on the eastern rim of a 1,000-foot chasm was questionable, but the sandstone boulder was a welcome relief from the long hike I had just made along the rimrock in search of cactus flowers in bloom. It was in the spring season, and wildflowers were blossoming in full color over the northern Texas Panhandle, and I needed images for a Texas Highways article on Panhandle flowering plants. The day had been long, and I was taking a much-needed respite before the 200-mile drive home.


Saturday, December 1, 2007

Stock Options

An estimated 80,000 images are licensed for publication each day, with the stock-photo industry making sales of about $2 billion per year. Here‚’s a primer on how to market your images as stock.

More than 29 years ago, I received my first check in the mail for the use of one of my images. It was an indescribable thrill for a beginning nature photographer—the ultimate affirmation of my work. I now have more than 10,000 published images, and I firmly believe you also can have the same success.

Thursday, November 1, 2007

Magic Buttons

The Targeted Adjustment Tool—a geeky name for a wonderful part of Lightroom

Wouldn’t you like a magic button that would allow you to get the most from your photography, make digital easier to work with and shorten your time in front of the computer? Of course, you would! Any nature photographer would, especially if it means less time inside and more time outside.

Thursday, November 1, 2007

Make It Just Right

Turn your good images into your best images by using Photoshop to bring out those details that are too bright or too dark

Do you have that potentially great shot sitting on your hard drive, ready to be made into a beautiful print or sold to some publication that could really use such a brilliant image? Except for one little problem. The photo is too dark or too light to be used in those ways. Maybe it’s not even the whole photo, but just a part of it; but that part is too important and serves as a distraction to the overall image.

Thursday, November 1, 2007

Nikon School Of Photography

What lens to buy next?

What lens should I buy next?" must be one of the five questions I’m asked most frequently at the Nikon School and the various other photographic seminars, tours and workshops I teach. That’s a little like going to a physician and asking, "What pill should I take?" Before giving you any kind of answer, the doctor will qualify it by getting your family medical history, examining you and asking about your symptoms, allergies, current medications, etc. To answer the lens question, we ask similar questions.

Monday, October 1, 2007

The Value Of Brightness/Contrast

How a much maligned adjustment tool can help you work images like a darkroom master

As soon as I mention the Brightness/Contrast adjustment control, I know some Photoshop sophisticates will turn up their noses and figure that I’ve lost it. Brightness/Contrast is the adjustment control that the experts love to hate and denigrate. Yet it has powers that are perfect for anyone interested in going beyond basic Photoshop adjustments.


Monday, October 1, 2007

E-Books: New Directions In Photo Publishing

The photographer's new market is your own computer. Expand your work into the world of profitable self-publishing

What photographer hasn’t dreamed of publishing a book of his or her work—or, more exactly, having a book published, because both the technology and the expense of do-it-yourself publishing is daunting? Publishers, alas, aren’t usually so eager to bring your best photos to the public, understandably, because fine printing is devilishly expensive, so much so that publishers can’t charge their usual markup on a photo book, and most photo books just don’t make money.


Monday, October 1, 2007

Daylight Fill-Flash

Sometimes changing the exposure just isn't enough to get the shot

An accessory flash may not come to mind initially as an important tool for wildlife photography, but I never go out on a shoot without one. I recommend that you pack a flash in your gear bag before you next venture into the field.

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