Sharpen your Adobe Photoshop techniques with Outdoor Photographer. Our articles offer Photoshop tips on topics ranging from resizing images to enhancing color. Begin your lesson in Photoshop for wildlife and nature photography now.
The gold standard in imaging software has been updated. OP takes you through the new features most useful to nature photographers.
Many photographers anticipate the arrival of a new version of Photoshop. Should I upgrade or not? Photoshop CS4 offers outstanding tools, naturally, but that doesn’t mean it’s necessarily for everyone.
Discover new ways to enhance images using this classic editing program
There’s no shortage of options when it comes to using Adobe Photoshop to improve the quality of your nature photography. Photoshop is, after all, the standard by which all other image-editing software programs are measured.
The new version of the popular Adobe software melds traditional darkroom controls with the digital world
Adobe Photoshop Lightroom 2 is an amazing program. I’ve been working with it throughout its development process, and I feel like I’m back in the world of the traditional darkroom, now for color images. Lightroom was designed to help the photographer gain more control over his or her images while maintaining an efficient and effective workflow. It’s about organizing digital images to make them more accessible, processing them quickly and then getting them to an audience through slideshows, prints or web galleries (and, of course, image files).
Keeping track of where you photographed that last spectacular sunset or a deer roaming a mountain landscape is a challenging task. This is where GPS technology is an outdoor photographer’s best friend. While popular spots like Delicate Arch or Half Dome are well documented, when you’re venturing deeper into the wild, having a tool to mark exact locations, times and dates of when the shutter was pressed comes in handy, especially later when you’re downloading and cataloging images.
Take advantage of High Dynamic Range software to photograph the landscape in a more visual way
Landscape photographers have been challenged by the range of tones in real life compared to what they can capture with the camera. This was true when Ansel Adams was shooting black-and-white large-format images 60 years ago, and it’s true today for digital photographers. Sunlight and shade can be too much for even the best of sensors.
In a season dominated by green, you can help the natural landscape with your camera, filters and the delicate use of Photoshop tools
In the summer, hot on the heels of a season that positively bursts with varied hues, the color that most comes to mind is green. The landscape becomes a green carpet, and finding dramatic color combinations can be a daunting task. Sure, there still are flowers and blooms to work with, but compared to the explosion of spring colors, summer photography can be tough. To make summer color really pop, you can turn to some special equipment and technology.
A revolutionary software package redefines what’s possible for you to achieve with sharp focus in a photograph
In the digital era, advancements arrive every few months—not just in cameras, but also in the form of image-processing software programs. Some of these give us new standards for judging both photographers and their photographs. Coupled with decent equipment and capturing techniques, great image-processing programs leave no excuse for images that are less than sharp, improperly exposed, incorrectly colored or poorly framed. Now another new program, Helicon Focus, has removed the limits to depth of field in photography.
A professional landscape photographer tells why and how using advanced capabilities in software can give new life to color images by converting them to black-and-white
Whenever the terms "black-and-white" and "landscape photography" are mentioned in the same sentence, most of us conjure up the dramatic work of Ansel Adams or perhaps Edward Weston. Along with several other photographers, Adams and Weston formed the ƒ/64 group in the early 1930s and set the aesthetic standard for American photography for years to come.
Adobe's newest entry in digital imaging is a powerful tool for outdoor shooters
Adobe Photoshop Lightroom has gained well-deserved attention in the short time it has been on the market, and it’s the true photographer-centric way the program has been designed that makes it so inviting.
The Targeted Adjustment Tool—a geeky name for a wonderful part of Lightroom
Wouldn’t you like a magic button that would allow you to get the most from your photography, make digital easier to work with and shorten your time in front of the computer? Of course, you would! Any nature photographer would, especially if it means less time inside and more time outside.
Turn your good images into your best images by using Photoshop to bring out those details that are too bright or too dark
Do you have that potentially great shot sitting on your hard drive, ready to be made into a beautiful print or sold to some publication that could really use such a brilliant image? Except for one little problem. The photo is too dark or too light to be used in those ways. Maybe it’s not even the whole photo, but just a part of it; but that part is too important and serves as a distraction to the overall image.
How a much maligned adjustment tool can help you work images like a darkroom master
As soon as I mention the Brightness/Contrast adjustment control, I know some Photoshop sophisticates will turn up their noses and figure that I’ve lost it. Brightness/Contrast is the adjustment control that the experts love to hate and denigrate. Yet it has powers that are perfect for anyone interested in going beyond basic Photoshop adjustments.
While tilt-shift lenses can be used for both practical and extreme purposes, they also can be utilized to increase your image file size and creativity in unexpected ways
Why not create your own focal length? This concept rattled around in my head for some time after going digital. Then again, many things rattled around in my head after I went digital. But one concept that rattled louder than others was how to utilize a moving lens mounted on a camera body to achieve multiple formats and compositions. With this in mind, I started using a Canon tilt-shift lens and began combining two offset digital files of the same scene. I began creating new compositions and aspect ratios and also increased the file size of my images—all without the use of panoramic equipment.
What does it take to visualize luminosity in black-and-white and color photography, then see and control it in Photoshop?
Luminosity is represented in a photograph by tones of black, white and gray. Luminosity is light. It represents all that we can see about the world we photograph. Every object, event and mood depends upon visible light represented by luminosity in the photograph.
Shoot in B&W or convert in Photoshop? That is the question...
If you’d like to simulate the results produced by specific films or film/developer combinations, reach for Exposure from Alien Skin. Based on detailed analysis of actual film stock, Exposure not only re-creates the film coloration and contrast, but also actually reproduces the size, shape and color of the film grain. If you like the look of push-processed Kodak TRI-X, for example, you can re-create it digitally—with authentic results. Exposure performs other editing functions as well. The options include a monochromatic toning filter set (blue, gold, sepia, selenium and sulphide) that allows you to re-create the look of old-fashioned image recording techniques.