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Tuesday, March 1, 2005

Australian Light

Light is everything. Recognizing the gift and knowing how to react makes extraordinary pictures of ordinary subjects.

Australian LightThe quality of light on the continent of Australia is a real and worthy subject. The land mass is the size of the continental United States, but populated by only 20 million people, mostly settled in five main cities around the coast. That leaves vast areas of Australia without industry or pollution. The nearest continent is pristine Antarctica. The sunset image on the opening pages of this article is taken from a vantage point looking out on the Indian Ocean and the next land that the sun will touch is East Africa thousands of miles away. The result is a clarity of light that's extraordinary, perhaps something that Americans experienced years ago. When a friend and notable photographer, Bob Krist, first spoke to me about Singh-Ray Color Intensifier filters, I remarked that I wasn't sure I could use them with the intensity of Australian light and the red earth without committing overkill. It's gratifying when nature doesn't need enhancement and the only photographic challenge is to shape your subject into a picture; when all you need is an acutely resolving lens and an artistic vision.

Sundown Down Under

Surfers like Todd Burrows were the first to bring the waves of Margaret River to world attention and, subsequently, a free-spirited alternative culture dominated the area until the region was discovered to be suitable for growing wine grapes in the late '60s. Today, thanks to the counterculture heritage, local people are concerned about conservation and preservation. For my Margaret River book, I teamed with a photographer friend, and one evening we stood on the beach looking out at this developing sunset south of Perth in Western Australia. As a photographer, people expect you to get excited about sunsets as a matter of course. To me, a sunset is a sunset, something to be enjoyed for its own sake, but not picture-worthy unless you do something extraordinary with it—or unless you're with another photographer and there's a bit of competition. While my friend worked on a panoramic view, I elected to get right down to the water, found a couple of rocks for a foreground, stuck my tripod legs in the water and waited for the right moment. A slow 1/15 sec. shutter speed recorded the motion of the waves while the low vantage point involved the action of the water rather than viewing it from afar. The composition and wide-angle distortion draws a connection between clouds and surf.

A River Runs Through It

Often, when you're photographing for a book project or a magazine assignment, or on your own vacation, there are ordinary locations that need to be included to complete the picture story, but don't easily lend themselves to extraordinary photographs. One such place is Warburton near Melbourne, where the Yarra River runs through the little town. I had passed through on several occasions, but an opportunity never presented itself until this day, when someone was burning leaves near a bridge crossing and a fisherman had waded into the river. Suddenly, I saw my picture. I say suddenly because although this photograph sits on a still page as an everlasting moment in time, my job was to react quickly. It was one of those instances when God served up a perfect opportunity and I was hurtling down the highway at 60 mph when I first saw it. As I stopped and ran to the bridge, I actually was nervous that the smoke would clear. I literally had maybe three minutes to make some spot-meter readings and expose the end of the roll before the fisherman left the river and the smoke cleared. As a professional, you must know how to get the exposure right. You can't bracket exposures in these fluid situations because you run the risk of an imperfect exposure coinciding with the perfect cast of the fisherman or the perfect rays penetrating the smoke.

Furthermore, when you fall upon an opportunity, you have to take it when you see it. Never count on tomorrow because it won't be there.



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