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| Culver's root glows in the light of the morning sun, Wolf Road Prairie, Westchester, Illinois. Using glancing light to make colorful flowers pop out of the landscape is a simple, but effective technique for the broad, flat expanse of the prairie. |
Unlike the West, which has some extraordinary geology, the prairie is known for its ever-changing displays of wildflowers that continue from mid-spring through early autumn. And after the plants go dormant in late fall, the prairie remains rich with warm hues and textures throughout the winter. Full of color and bursting with life, the prairie is a breathtaking place. But getting photographs that convey the full experience of these vistas can be exasperating.
The ups and downs of a mountain landscape inherently give a perception of depth in the image with little or no effort, but prairies are often flat, and in your picture, even flatter. Suddenly, your three-dimensional world has been collapsed into a pancake. This is the primary challenge.
To further complicate matters, prairies are, by their very nature, diverse and chaotic. Unlike a mountain, no one thing jumps out and screams, "Photograph me!" Creating visual order from chaos is a critical dilemma. To photograph a prairie is to test your true ability as a photographer. Here are some techniques that I use regularly.
![]() In the golden light of morning, wild quinine, stiff coreopsis and leadplant overlook a foggy fen, Elgin, Illinois. Early morning is one of the best times to bring out the beauty of the prairie. |
1 Thirty minutes before sunrise, plan to be in position with a shot composed to catch the color of the predawn sky. After the colors fade, you should have time to prepare for the moment when first light hits. Evenings provide great light, but that's about it. In the morning, the prairie has personality and atmosphere, with the gifts of fog, dewdrops and spider webs, gently varying light, increased animal activity, the calmest air and no people—an escape from reality.
Chase The "Glancing Light"
2 When the sun is less than 30 minutes above the horizon, low glancing light kisses the tops of flowers and stalks of grasses. Plants, once lost among the beautiful chaos, now leap in the air to express their individuality. Go directly to the sunlit areas of the scene. Completely ignore the shadowed sections. Situate your camera so the rays stream in from the side. Sidelighting combined with delicate highlights and soft shadows will give your subjects shape, form and visual separation, and intensify the perception of depth in your picture. Keep your eyes to the viewfinder and compose for the highlights. Glancing light has the power to transform any subject into a thing of beauty.
Live In The Viewfinder
3 Explore the prairie through your viewfinder by keeping the camera at your side, not stashed away in your backpack. If you "live in the viewfinder," you'll see the world in two dimensions, emulating how the final flat image will be perceived. Viewing the world through the unique perspective of your lens will help you discover compositional possibilities that you wouldn't have found otherwise with your own eyes.
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