OP Home > How-To > Shooting > The Rarest Light

How-To



Tuesday, June 21, 2011

The Rarest Light


Look for the gap and the glow, and you’ll find light that transforms a scene into something extraordinary



This Article Features Photo Zoom

Sunrise aspen, Rocky Mountain National Park, Colorado

For 18 years now, I've been specializing in wilderness landscape photography. During that time, I've been privileged to photograph many beautiful scenes, but on only a dozen occasions have I witnessed the rarest light of all. In my experience, truly extraordinary light occurs in two ways. In the first, the sun finds a narrow gap between dense clouds and the horizon precisely at the moment of sunrise or sunset. For just a minute, maybe only seconds, a beam of saturated light blasts through the gap and ignites the subject with the most colorful natural light you'll ever see. In the second situation, the sun, while still below the horizon, paints a broad bank of clouds with richly colored light. These clouds, which can be inside the frame or out, now become the dominant light source. While glowing clouds are beautiful, of course, it's the light those clouds bounce onto the landscape below that's truly remarkable. Like a giant softbox in the sky, the colorful clouds illuminate the landscape with a warm, soft, yet still directional light. The photograph seems to be suffused with an ethereal glow.


A weathered juniper and the Green River Overlook glow pink at dawn, Canyonlands National Park, Utah.
Light And The Atmosphere
To understand how these two situations produce such unusual light, it helps to know a little bit about atmospheric optics, the science of how sunlight interacts with our atmosphere.

The sun emits light at all wavelengths, which means all colors. When sunlight strikes our atmosphere, however, it begins to interact with air molecules in a process called Rayleigh scattering. Blue light scatters much more strongly than red light, which is why the sky is blue on a clear day.

The amount of scattering is dependent on the distance the light travels through the atmosphere. At noon, the path length through the troposphere (the dense layer next to the Earth) is relatively short, roughly 11 miles or so. Enough blue light scatters out of the beam to make the sky blue, but the remaining light is still a mixture of wavelengths that we perceive as white. At sunrise and sunset, however, sunlight takes a much longer path through the troposphere because the light is traveling obliquely through the atmosphere, along a tangent to Earth's surface, rather than along a path perpendicular to Earth's surface. For example, if you're photographing an old barn in Kansas at sunrise, the path length through the troposphere is roughly 235 miles. At sunrise or sunset on a clear day, most of the blue light scatters out of the beam. The reddish light passes straight through, giving you warm light on your subject.


Windom Peak, Sunlight Spire and Sunlight Peak from South Sunlight Lake at sunrise, Weminuche Wilderness, Colorado.
Now let's say you're photographing wind-sculpted snow on the summit of 14,259-foot Longs Peak in Colorado, which rises abruptly above the plains 9,000 feet below. The path length through the atmosphere will be even longer because the sun has to enter the atmosphere, skim Earth's surface somewhere near that Kansas barn, then continue through the atmosphere to the summit of Longs Peak, a total of roughly 360 miles.

The exact numbers aren't important, but the principle is: Tall mountains that tower over nearby plains can get amazing light, particularly if the sun finds a narrow gap between dense clouds and the horizon.

Gap Light
The most vivid red light I've ever seen has occurred in exactly that situation, but "gap" photos aren't confined to the mountains. To understand gap photos, in general, let's first consider what happens during a cloudless sunrise. When the sky is clear, the colorful light coming directly from the rising sun is diluted by the bright, white light from the sky around the sun. It's like pouring white paint into red paint—the result is usually a pastel color that's pleasing, but not extraordinary. If the sun finds a gap between dense clouds and the horizon, however, the clouds block that bright, white light from the sky around the sun, and the result is some of the most spectacular light you'll ever see.

2 Comments

Add Comment

 

Popular OP Articles

  • Super Charged!Super Charged!
    There’s no substitute for megapixels. We look at the highest-pixel-count cameras, both medium-format and full-frame models, of all time. More »
  • Digital MythbustingDigital Mythbusting
    We bust some of the most common myths that digital photographers take into the field to help you get your best images More »
  • Lighten Up!Lighten Up!
    How to choose and use light-hiking equipment and philosophy to make your photography forays more enjoyable, comfortable and productive More »