My wildflower photographs usually fall short.
Many exciting nature subjects come with a built-in photographic challenge: reflections that mask color and detail.
In most cases, grid-focusing screens are designed to intersect at the points where the camera focuses; that's one reason why they aren't interchangeable among manufacturers and specific camera models.
This issue will reach you in April, when spring is really getting started in most of the country.
I've tried macro image-stacking software repeatedly, but have had terrible luck with it. When I change focus points, the image size changes slightly.
But the mood changed immediately when he realized I focus on landscapes. "Landscapes are dead," he said. "They don't move."
I'm having trouble getting my wide-angle panoramas to stitch together. Wide-Angle Panoramas
What setting would you recommend to shoot in Antarctica? ...
Are these photographers using special cameras and software, or can I do this with my DSLR's HD video?
If you read this column regularly, you know I love tech "tools." Sometimes my wife Kathy calls them "toys," but maybe she's just kidding.
We've just returned from a three-week digital photo safari in Botswana and Zambia with a wonderful group of advanced nature photographers.
When I want the final results from my DSLR to be black-and-white, should I set the camera to shoot in black-and-white or continue to shoot in color (RGB) and convert later?
This column is dedicated to all of you who have asked me where you can access the information you need to improve your outdoor photography.
To lengthen the exposures, I used a Fader filter and a polarizer on my 70-200mm ƒ/2.8 lens. All the photographs from the shoot were unsharp!
I’ve seen a lot of digital infrared landscapes lately. Some have different colors in the image that add an element of drama that I don’t see in pure black-and-white infrared.
I’ve started to look for a photo stock agency to promote and sell my work, and I have grave concerns about how one in particular operates.
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Some of the newer professional DSLRs and lenses are very well sealed, and you can work safely with them in damp conditions short of a downpour.
Many articles in OP suggest software programs to try for converting color images to black-and-white and discuss how to fine-tune the converted images.
I spent the last week of August deep in the heart of Alaska’s Denali National Park & Preserve as the visiting specialist for Camp Denali’s photographic Special Emphasis program.
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Autofocus is a cooperative function of the camera and the lens. ...
I keep hearing about photo apps for the iPhone, but I’m planning to get an Android-based smartphone.
I had it on my computer as a JPEG image and was able to attach it to my photos as a layer in Photoshop. Where can I find it again? ...
The 18-megapixel APS-C sensor has the advantage of higher resolution if you photograph with quality optics.
We’ve just returned from the 16th Annual Summit of NANPA, the North American Nature Photography Association (
In the days of film, exposure in bright areas was always a challenge, and we’d constantly try to outthink the meter by over- or underexposing our images.
What are the advantages, if any, of having a digital camera converted solely to infrared capture versus using the B+W 093 IR filter on my DSLR?
A neutral-density filter is used to darken an image to allow increased exposure time.
I recently “went digital” with a Nikon D90. While exploring the user’s manual, I was surprised to read a warning to keep the sun well out of the frame when shooting backlit subjects.
During a recent foray to Hawai’i to give seminars and workshops for the Canon Explorers of Light, I knew I’d be doing some snorkeling. (Hey! Somebody has to do this job!) I’ve previously used PowerShot compact digital cameras with underwater housings....
In the August 2009 issue of Outdoor Photographer, you discussed the difference between commercial and editorial uses of images and the need for releases. Please expand on the definition of editorial uses. Would I need a signed permission from the...
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