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If the first half of EIS is about going out and collecting evidence, the second is about using those findings to educate the public. Along with the video, a portfolio of large-format photographs is in the works, as well as a documentary about the team and the process behind making the images. Balog joined a panel of climate-change experts last year to brief members of the U.S. Congress on the implications of the melting glaciers, and there are plans for him to do that again this year.
In the spring, he’ll release a book called Extreme Ice Now—Vanishing Glaciers and Changing Climate: A Progress Report. In addition to the time-lapse images, he continues to photograph the ice as he has for some 30 years, though his intent has changed.
Aside from The New Yorker and National Geographic, Balog’s work has been published in Audubon, Life, The New York Times Magazine, Outside and Vanity Fair. He has authored six wildlife and nature photography books, including Tree: A New Vision of the American Forest and Survivors: A New Vision of Endangered Wildlife, which was broadly acknowledged as a major conceptual breakthrough in nature photography.
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“Even when I was just starting out, I knew that my best work wouldn’t come from a publication,” says Balog. “It had to come from within and would be generated from some observation I was making about the world. Photography is such a powerful tool for transforming the way we see the world, and we haven’t used it to its maximum potential.”
To see more of James Balog’s photography, visit www.jamesbalog.com. Learn more about the Extreme Ice Survey at www.extremeicesurvey.org.
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