Extraordinary Photo Workshops With Gary Hart
First and foremost, photography must be a source of pleasure. For many, photography’s pleasure comes from the simple joy of…
First and foremost, photography must be a source of pleasure. For many, photography’s pleasure comes from the simple joy of…
In the July issue of Outdoor Photographer, Gary Hart gave some excellent tips for photographing the booming thunderstorms that hit the desert southwest in summer. This post is a followup to that article with Hart’s favorite locations to shoot in and around the Grand Canyon.
I’ve always enjoyed taking pictures, but it was the advent of digital photography and the ability to process my own…
Today’s Photo Of The Day is “Cloud Machine” by Jeff Sullivan. Location: Yosemite National Park, California. “This was captured on…
“You never realize how the pieces of your life are fitting together as it’s happening,” Zak Noyle observes in the…
Take a virtual photo adventure with ten of our favorite guides to national parks around the country, from the idyllic…
Attempting to convey our three-dimensional world in a two-dimensional medium creates both challenges and opportunities for photographers.
A typical graduated neutral-density filter (GND) scene is a landscape with a bright sky and dark foreground.
Grand Canyon is as difficult to photograph as it is breathtaking.
It was the bolt atop the ridge directly in front of me that finally got my attention.
We asked a number of top landscape photographers about their essential gear—the equipment they always want to have with them—for doing their work.
Top selections from recent Assignments Winners from outdoorphotographer.com
The truth is, great photographers understand that it’s impossible to duplicate human vision with a camera and plan their images accordingly without feeling frustrated by the inability to duplicate the color, contrast or depth their eyes see.
If you come from sea level and want to go on a tour at high elevation, are you physically fit and able to handle the abrupt acclimation?
If you think a polarizer is only for darkening the sky, you’re missing opportunities to enhance reflections, saturate color and emphasize texture in shade or overcast.
A workshop can be a great way to improve your skills and knowledge about photography.
When I teach my workshops, I find that there are some participants who come more prepared than others.
I started “shooting the moon” in a quest for unique photos, and while I’m certainly happy with my results, I’ve discovered that the actual experience of moon and moonlight photography is just as rewarding as the images I bring home.