Printers For Black & White
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Printers For Black & White

July 5, 2011 | The Editors
For making gallery-quality prints, you need to have the right tool
Gadget Bag: Steady Shooting
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Gadget Bag: Steady Shooting

July 5, 2011 | David Willis
Versatile stabilization solutions that bridge the gap between stills and video
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Wind River Range, Wyoming
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Wind River Range, Wyoming

July 5, 2011 | Text And Photography By Stephen A. Hall
Accessible only by foot or by horse, Dad's Lake is located in the Bridger Wilderness with-in Wyoming's Bridger-Teton National Forest.
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Advanced Cloning
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Advanced Cloning

July 5, 2011 | Text And Photography By Kevin McNeal
Retouching techniques give photographers more control than ever. Try a combination of tools for removing distracting elements from almost any scene.
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In Focus: August 2011
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In Focus: August 2011

June 21, 2011 | By Staff
The 50mm lens is a must-have for all photographers, and Nikon has updated its model.
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Sony Alpha SLT-A35
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Sony Alpha SLT-A35

June 21, 2011 | Michael J. McNamara
The next in Sony’s growing line of translucent-mirror DSLRs gives you true continuous AF and full HD video
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Shades Of Wildlife
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Shades Of Wildlife

June 21, 2011 | By William Sawalich, Photography By Heinrich van den Berg
South African photographer Heinrich van den Berg strips his dramatic wildlife images of color to create dimension and add emotion. They’re stunning, graphic, refined and evocative.
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The Technical Side Of B&W
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The Technical Side Of B&W

June 21, 2011 | By George Lepp
Shoot Monochrome Or Convert Later? • Filters For Digital B&W • Best Choices For IR Conversions IR: Fake Or Real? • Printing Digital B&W
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Packrafting
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Packrafting

June 21, 2011 | By Bill Hatcher
A dramatic whitewater adventure in an unlikely type of boat
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The Timeless Moment Of Ice Light
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The Timeless Moment Of Ice Light

June 21, 2011 | David Muench
How can subjects that change from moment to moment speak of eternity?
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The Rarest Light
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The Rarest Light

June 21, 2011 | Text & Photography By Glenn Randall
Look for the gap and the glow, and you’ll find light that transforms a scene into something extraordinary
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Why Choose Black And White Photography
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Why Choose Black And White Photography

June 21, 2011 | Text And Photography By Jason Bradley
Creating a monochrome image lets you focus on form, texture, shape and composition

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The Making Of Compelling Black-And-White-Images
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The Making Of Compelling Black-And-White-Images

June 21, 2011 | Text And Photography By Rob Sheppard
Beyond just removing color, see how structure, tonal relationships, form, texture and contrast all play key roles
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