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“Swayback” building at night with the Milky Way, Bodie. While helping some members of our group photograph this building I set up my own camera as well. I put tissue paper over a flashlight to act as a diffuser, then stuck my hand through a gap in one of the walls to light the interior of the building during the 20-second exposure for the stars.
A few years ago I was able to photograph Bodie on a moonlit night with Lance Keimig and Scott Martin during one of their workshops. Then, earlier this summer, Claudia and I went to Bodie on one of occasional evenings when the park stays open until 10:00 p.m. This was a moonless night, but since it didn’t get completely dark until about 9:00 p.m. that left only an hour for true night photography. It was still fun, but much too short.
Luckily I would have another chance soon. We had managed to secure a hard-to-get permit to take a workshop group there at night, and added that evening to my Starry Skies Adventure workshop. We had so much fun there with the group. This time we were able to stay until 1:00 a.m., but it wasn’t long enough!
Here’s a selection of both daytime and nighttime images from those recent trips to Bodie. I tried many different ideas, but had to leave other ideas still percolating in the back of my mind, as I just didn’t have time to execute them all. I think there’s so much potential there for creative lighting of both interiors and exteriors, and working with reflections in the old windows. I certainly look forward to going back. If you haven’t been to Bodie, I highly recommend it, even during the middle of the day. And if you get a chance to go in the late afternoon or at night, take it!
— Michael Frye
Window with bottles and late-afternoon reflections, Cain House, Bodie
Bodie interior, late afternoon. This was photographed through a window, putting the lens against the glass and wrapping a jacket around the lens to eliminate reflections. The illumination is just beautiful, classic, daytime window light.
The same view as the previous photo, but this was made at night using flash as the only light source. I set up one flash on a stand in five different spots, using an umbrella as a diffuser, and lighting the interior through the windows. I added a bit of color to the light suggest blue moonlight coming through the windows and warm lamplight in the interior.
Metzger House at sunset, Bodie
Metzger House at night, Bodie. I tried to capture the reflections of stars in the windows, and used a flashlight to add a bit of light to the front of the house.
Abandoned truck at night, Bodie. This is a blend of five different exposures: one for the stars, two for the cab interior, and two for the headlights. I used a small flashlight with a tissue-paper diffuser to light the interior, hiding the light itself behind the metal support that divides the windshield from the side windows. For the headlights, I made a snoot out of black construction paper to focus the light from the flashlight into a narrow beam, illuminating just the headlights.
Related Posts: Bodie at Night; Starry Skies Adventure Workshop; Photographing the Milky Way
Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, Yosemite Meditations for Women, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom 5: The Essential Step-by-Step Guide. Michael written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.
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