For the centennial anniversary of the National Park Service, I had a dream assignment photographing the national parks. I traveled to and photographed all 59 (at the time) of the U.S. national parks in one year for National Geographic. While other Nat Geo photographers were spending up to a year on assignment in a single national park, I was racing through them at breakneck speed. It was a whirlwind year filled with more beauty and nature than any one person should ever get to experience in such a short timeframe.
If you’re doing the math, you’ve probably realized that photographing 59 national parks in 52 weeks is close to impossible, and you’d be right. But I was crazy enough to pitch it, and they were crazy enough to let me try to do it. Looking back, it was without a doubt one of the most challenging years of my life. I was out photographing every sunrise and sunset, I hiked all day, edited late into the night (when I wasn’t shooting astrophotography), and got very little sleep for the entire year.
I had so many blissful, “pinch-me-I’m-dreaming” moments as well. In a country as diverse and picturesque as the United States, the national parks represent the best of us. They are the places we hold most sacred, for their purity and jaw-dropping beauty.
Prior to this assignment, I had already visited about half of the U.S. national parks, either on my own or on assignment for various publications. The national parks are very special to me; they are where I fell in love with exploring the outdoors, and they played a big role in me becoming a photographer. For the centennial of the Park Service, I wanted to challenge myself and to give back to those places that had given me so much over my lifetime.
It’s very hard to distill an entire year of amazing national park scenery into a short list, but I’ve tried to share some of my favorite images and moments here. If you were to ask me tomorrow or next week to do the same exercise, I’d likely have a completely different list.
Sometimes during this project, I felt like it was completely unfair to take credit for any photos because it was truly nature that was doing all the heavy lifting.
One of my photographic goals for the project was to capture each park in as many ways as I could, which would inevitably find me staying up way into the night to capture a glimpse of the Milky Way. There are a lot of great “dark sky” national parks, and I consider Crater Lake in Oregon to be one of the best for stargazing and astrophotography. This particular night was one of the most memorable photographing the night sky, as the reflections on the lake blew me away. I was lucky enough to find an old weathered tree for a foreground, which completed the image.
See more of Jonathan Irish’s work at JonathanIrish.com.