Advertisement
Advertisement
Read Next

How An Auto-Leveling Tripod Makes Life Easier For Photographers
Getting your tripod level can be...
Fujifilm X-H2S Review
Read our review of the X-H2S to find...
5 Reasons To Buy A High-Quality And Adjustable Tripod
Shopping for a tripod can be confusing....
Sigma 20mm F1.4 DG DN Art Lens Review
Nobody else makes a lens like the Sigma...Advertisement
Featured Articles

Read More
The Surfing Life
How a lifelong love and respect for the ocean inspires my photography.

Read More
The Art of Luminosity, Part 1
Understanding light to improve your photography.

Read More
Choosing A Tripod For Your Style Of Photography
Contrary to what you might have heard, you do not need a tripod that can’t be moved without a forklift. Here's what to consider when choosing a tripod and head.

Read More
Batch Resize Photos With Photoshop’s Image Processor
Have you ever needed to resize a number of images and you painfully go through the process one photo at...

Read More
Depth Of Field In Macro Photography
In macro photography, depth of field is especially important to ensure the details of your subject are sharp. Use these 5 tips to get the best results.

Read More
Landscape Photography Lenses
Our guide to wide-angle lenses, the most popular and useful optics for landscape photography.
This is the 1st of your 3 free articles
Become a member for unlimited website access and more.
FREE TRIAL Available!
Learn More
Already a member? Sign in to continue reading
Tamron AF18-250mm f/3.5-6.3 Di II LD Aspherical (IF)
My favorite photo subjects are birds, and I like to travel light, so I do most of my shooting with one lens, a fast telephoto. But between close encounters of the bird kind, I often come across lovely landscapes and flowers that require a much wider or closer viewpoint. The 18-200mm zoom lenses for my small-sensor digital SLR aren’t quite long enough for most birds and other distant wildlife, while the 28-300mm lenses aren’t really wide-angle on such D-SLRs. So I have to carry another lens or two or miss out on those non-bird photo ops.
Tamron’s new AF18-250mm ƒ/3.5-6.3 Di II LD Aspherical (IF) zoom provides a pleasant solution to this problem. Optimized for APS-C-sensor D-SLRs, the lens offers 35mm camera-equivalent focal lengths of about 29-400mm in a single, handy, compact package—a 13.9:1 zoom ratio that goes from true wide-angle to true supertelephoto at the twist of a wrist. And the lens focuses down to a 1:3.5 reproduction ratio, so it can handle flower close-ups, too.
One feature I especially like is that you don’t have to fumble around to enter (and later escape from) a special macro mode when you want to focus on nearby subjects. Focusing is continuous from infinity to 17.7 inches at all focal lengths. Focusing-ring travel is about a one-eighth turn, so manual focusing is very quick. (I always focus close-ups manually because precise focusing is important when depth of field is minimal.) Another useful feature is a handy zoom lock that keeps the lens at its shortest physical length while you’re trekking between shots.
The 250mm long end of the focal-length range works for a variety of flying critters (and land-loving fauna, too).
At 250mm, the ƒ/6.3 maximum aperture slows autofocusing some compared to my 300mm ƒ/4 bird lens, but that 300mm weighs nearly three times as much as the 18-250mm, costs more than twice as much and provides just the one focal length. And the 18-250mm gave me some bird shots I wouldn’t have captured with the 300mm because I wouldn’t have taken the big 300mm into that rough terrain.
Currently, the 18-250mm is available in Canon, Nikon, Pentax/Samsung and Sony/Maxxum mounts.
Contact: Tamron, www.tamron.com.