One key compositional technique in landscape photography is the use of scale. By including foreground subjects such as rocks or trees or flowers in front of mountains, for example, the photographer can convey depth in the scene, giving a stronger sense of the locale and of "being there." In many uses for photographs, such as editorial use, it’s important to clearly describe the subject. Objects of known size give us clues as to the scale and depth.
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William Neill is a renowned nature and landscape photographer and a recipient of the Sierra Club's Ansel Adams Award for conservation photography. Neill's award-winning photography has been widely published in books, magazines, calendars and posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection and The Polaroid Collection. Neill's published credits include National Geographic, Smithsonian, Natural History, National Wildlife, Conde Nast Traveler, Gentlemen's Quarterly, Travel and Leisure, Wilderness, Sunset, Sierra and Outside magazines. He is also regular contributor to Outdoor Photographer with his column “On Landscape”.
Panoramas are one of the most fun and dramatic ways of capturing the Milky Way over a landscape, created by stitching multiple exposures together in software to capture a much wider field of view than you could capture in a single photo.