Using Photoshop’s Adaptive Wide Angle Filter

Use this advanced perspective correction filter in Photoshop for superior results when fixing wide-angle lens distortion
Adaptive Wide Angle helps correct perspective distortion caused by wide angle lenses
Figure 1. The original image taken with a 14mm lens.

Frequently we make images with wide-angle lenses that suffer from distortion. This distortion is caused when we point our camera up or down, causing vertical lines to bend. There are several ways to correct this distortion in the digital darkroom. Lightroom has distortion correction built in to the Develop module on the Lens Correction panel with the Upright tool. This option works well in most cases and is the easiest to use, but in examples of extreme distortion may fall short of expectations.

In Photoshop, there are three tools that can be used to correct distortion: Transform, found under the Edit menu, and Adaptive Wide Angle and Lens Correction, found under the Filters menu. Of these three tools, Adaptive Wide Angle is best suited for correcting the extremes of wide-angle lenses.

On a trip to India, I had to decide which lens to take: my 17mm tilt/shift (my favorite wide-angle lens) or my 14mm wide angle. The tilt/shift lens eliminates all the perspective problems but is not really a hand-holding type lens. It works best when you are on a tripod, since you need your hands free to physically move the knobs on the lens to invoke the tilts and shifts. I knew that on this trip I would not be allowed to use a tripod at most of the monuments, shrines, temples and forts we would be visiting, so I chose to take the Canon EF 14mm f/2.8L lens instead.

It turned out to be the correct decision, but when I used the 14mm, I could see that there were many instances where my perspective was being warped by the lens distortion, and I would have to correct the images after the fact. Tip: When you see your lens is distorting and you know you are going to fix this digitally, make sure you give yourself a little extra room in the composition, because you usually end up cropping some of your scene.

In this example, taken at the Taj Mahal, the minaret tower on the left and the Taj on the right are both severely distorted (Figure 1, above). I wish I had composed with a bit more room on both sides. I do want to crop out the man on the left, but I would like to have more room to crop on the right.

When I first opened this image in Lightroom—my standard starting place for processing my images—my inclination was to go to the Transform panel and select the Guided option to correct the distortion. I have used this tool in many instances where it performed well and was all I needed to fix my images.

To use the Guided Transform feature, you draw lines following the distorted vertical or horizontal lines that need to be fix, and the transform function straightens the lines. When using this tool, you need to draw at least two lines before the tool will work.

Adaptive Wide Angle filter vs. Lightroom's Upright
Figure 2. Using the Guided option in Lightroom’s Transform panel, I drew four lines to indicate areas that should be straight. I chose the vertical locations to straighten the Taj Mahal on the right and the minaret on the left, and chose the horizontal locations to ensure the cornices on the minaret would be level.

Figure 2 shows the Transform panel where I selected Guided mode, as well as the four lines I drew along edges I want to straighten. As you can see in the result, the building on the right looks really good, and the minaret is fairly straight. But notice the spire on the top of the Taj Mahal on the right is very soft, and the mosque (the red building in the background) is not level. Also notice the image is cropped at both top and bottom. While this is a big improvement and will satisfy most people, it is still not perfect and not of the quality I would have achieved with my tilt/shift lens. So, I was looking for a better way to fix it.

When I take this image into the Free Transform tool in Photoshop (Figure 3), I get a result similar to what I received from the Upright Tool in Lightroom. It is a big improvement, but you can see on the minaret tower the horizontal lines are not horizontal.

Adaptive Wide Angle vs. Free Transform
Figure 3. Photoshop’s Free Transform tool resulted in distortion correction similar to Lightroom’s Upright Tool. It’s an improvement over the original, but the minaret tower’s horizontal lines are not horizontal.

I got the best results using Photoshop’s Adaptive Wide Angle filter. To access this tool, open your image in Photoshop, open the Filter menu and go down to Adaptive Wide Angle. This will open the image in a dialog box. I suggest working in the Auto mode unless you have a true spherical fisheye lens.

Adaptive Wide Angle filter interface
Figure 4. The first correction line I drew in Photoshop’s Adaptive Wide Angle filter dialogue box was along the right edge of the minaret tower. (In this screen shot, I placed a red circle around the line so you can find it.)

To use the tool, simply take your cursor and drag it along any distorted line you wish to correct. In this image, I ended up drawing eight lines to fix the perspective problems. I drew my first line along the right edge of the minaret tower (Figure 4). When you let go of the cursor, you get the constraint line shown in Figure 5.

Adaptive Wide Angle filter in use
Figure 5. Click on the constraint line “handles,” and you will see the current angle of the line.

On the large gray circle of the constraint line there are two white circles, which serve as handles. When you hover the cursor over the handles, the cursor changes to a curved double-ended arrow. Once you see the arrow, click your mouse, and you will see the current angle of the line appear. Simply drag the cursor to set the appropriate angle of the line. In this case, it was a vertical line, so I needed to drag to 90 degrees (Figure 6). If it is a horizontal line, you want to drag to 0 (zero). This will instantly straighten your line.

Adaptive wide angle in use
Figure 6. Adjusting the line to the correct angle will straighten the object.

To straighten all the lines in the image, I added a second constraint line to the left side of the minaret tower, a third constraint line to the building on the right, a fourth constraint line to tiles on the ground, a fifth constraint line to the left edge of the building on the right, a sixth constraint line to the small wall in the back, a seventh constraint line to the roof top of the building on the right, and an eighth line to straighten the little point on top of the minaret (Figure 7).

Adaptive wide angle adjustments are shown
Figure 7. All eight constraint lines used to correct the distortion in this image are shown.

When you are finished, you will have some areas of transparency where the image crops and stretches. At this point, you can choose to crop and/or use Content Aware Fill to fill in the areas. I did a combination of both. Figure 8 shows the final result.

Final image after using the adaptive wide angle filter
Figure 8. The final image corrected with the Adaptive Wide Angle filter.

As I mentioned, my first choice would have been to photograph this scene with my tilt/shift lens, because I would have been able to control all distortion with the lens, and I would have been able to accurately compose my image without the need for cropping. But not everybody owns a tilt/shift lens or, as in this case, has the opportunity to use it properly. That’s where Adaptive Wide Angle can help you achieve perfect perspective with any wide-angle lens you use.


See more of Lewis Kemper’s work at lewiskemper.com.

3 Comments

    Lewis, I use my Rokinon 24mm T/S all the time, but I’d also like to reaquire the Canon 17 TS I sold when I changed to Sony. I’d need to use a Canon to Sony E for my Sony A7R II. Can you think of a reason the converter would have an unwanted effect??

    Thanks, Dave

    Lewis, I use DxO’s ViewPoint for this. Don’t know if it will achieve what you’re trying to do, but it’s miles simpler and easier to use than that, and for my purposes, it fixes all those issues in a few seconds. Sometimes it is a bit longer – mostly it can do it automatically, but sometimes it’s necessary to get in there and take over from the cyber brain, doing it manually. Even then, a quick run through auto shows what can be achieved so hitting the target is vastly quicker & easier.

    BTW – timely warning about leaving a bit extra in, for cropping later, if you’re planning this kind of correction. It can be very disappointing, watching something you want to retain disappear from view, as you straighten up the image, otherwise.

    Thanks so much for this article Lewis! I couldn’t have come at a better time. I’m getting ready to print a photo of a big church in Savannah that isn’t very curved, more that each spire is pointing inward and I want them straightened. I tried straightening it out in Lr, but like you said, it crops out way too much. Unfortunately the shots I took were “practice” for a later shoot that I never completed. I ended up leaving the area and never got the wider shot with the extra room. So I’m stuck with what I took. I certainly hope I can make it work with this new technique. I’m not well versed in Ps, yet. I’m working on it. Slowly but surely I’ll learn it well enough. Thanks!

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