Shoot From The Hip

The instant feedback of digital cameras offers new possibilities for travel street scenes
As a young newspaper photographer in the mid-'70s, I used to look at the work of the great street shooters, from Robert Frank to Alex Webb, and wonder to myself how these shooters could get so close to their subjects without seeming to be noticed by them. They created these wonderful, layered street scenes, using wide-angle lenses, where subjects were just bursting out of the frame, looking like they were about to walk right into the photographer’s lens. Yet they seemingly had no awareness of the photographer’s presence whatsoever.

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